The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
剧情没什么新意 法式浪漫 法国男神罗曼达瑞斯还是很有魅力的
介绍写的不准确，应该是艾菲尔铁塔背后的偷情故事，法国人这脑袋里面装的全是情爱这些事，画面还行，6.3
前面半小时都好无聊，是男主的颜支撑我看完，感觉类似昆池岩可是没有那么精彩，后面的时空交错剧情感觉有点意思
风pon鼓掌的时候，配合音乐我鸡皮疙瘩都起来了。如果下次到了束手无策的时候，就鼓掌吧，鼓掌的话妖精们可以不用死的话，那我也是愿意鼓掌的。然后到大饼说出既然如此就应该让两个人在别处相遇，这样两个人就能获得幸福了。我才明白为什么要写这本小说，忍不住站立鼓掌，而我鼓掌多半是因为遇到了超出预期想象的结局了~
看完有点难受……感觉是寂静岭+两个月亮+昆池岩的大杂烩。恐怖片不好好搞basic的东西 非要加入人家烧脑推理时间重叠干嘛…立意还是ok的，就是无逻辑不清晰，讲的人表述不清，看的人一头雾水，别问男主死在哪年，问就是导演自己也不知道。不要因为火了一个signal就一直玩时间线的梗吧 有点疲劳
在看完《只看得见我吗》和《CCTV》后，这部绝对可以打个三星。时间线很重要，理清后故事设定还是有点小精彩，氛围感营造的也不错（除了某些前段的鬼做的效果略2b……）。另一星单独给金康宇，希望叔能去拍一下《M》第二季。
欧洲人对古典建筑独有情钟，对现代风格的建筑特别挑剔。铁塔一开始就立意崇高，志在标示经过长期动荡后仍屹立不倒的民族精神，让巴黎各个角度都能看到，无论贫富，无论信仰，也无论种族。铁塔最终能被市民甚至全世界认可和喜爱，在于她的精神，在于她的包容。铁塔的建造还伴随着设计建造师的一个爱情故事，爱情难以达成完美结果，铁塔也做为心中的爱，永远牢固耸立。
杜蕾斯老了…快50歲了… 以前迷戀他年輕的顏，還夢見過和他一起養金魚
本来想给2星，最后，1星吧……故弄玄虚到最后我也没看明白，非要去送命？
还算不错的片子，挺吓人的，剧中场景和昆池岩有点像，破旧的房屋，和背后的故事，然后结局又是人死了，没能逃出这个房子，这个结局有些老套。
时空错乱 看的我好乱，最后男主的死到底属于自杀还是被杀啊
算是多空间叙事中比较差的一部了，恐怖的情节也只能说是尚可，整体一般！
评分好低啊，我感觉还不错诶，吓人🈶️情节也🈶️
朋友说想去看，一刷
拿个降魔杵就敢闯死了几十人的凶宅公寓作实也是牛批！血月之日地缚灵居然还能折叠时空也是扯！创意不错，就是画面太黑了，看起很费力，一惊一乍的！地缚灵这种题材应该属于是我大国内的才是！#电影 #鬼门2021
有种原作估计挺好看但是这改编真不行（或者是因为这个结构就不怎么适合该电影吧），前半段还行
在云姐姐的带领下，今年惊悚值拉满了，一伙子人看恐怖片就还挺好玩，尤其是我这连绵不绝的“河马叫”手机提示音，被说是在嘲讽剧情的莫名其妙（冤枉a），肉搏战👻属实没想到，最后是编剧不想填坑了吗竟然又be了
太黑了，最近看的怪奇宅还可以，一个个故事，有点串联，还算传统。。。我也想到了两个月亮，年代久远。。。有人和昆池岩比，昆池岩吓人吗，直播形式看的更乱，也不吓人。。。这部还可以。。
墨迹，垃圾，故弄玄虚，竟然一直黑黑黑，我都无语了
越琢磨越有味道的电影 2021/9品川T-Joy
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